Though his name is not prominent today, Louis Francis Salzman was one of the pioneers in the field of economic history. Despite setting out initially to study medicine, an interest in local history led him to switch to a career as a historian. This work led him to write a succession of books about industry and trade in England during the Middle Ages that became cornerstones in their field. Yet Salzman never lost his interest in local history, and was not only a founder of the Sussex Record Society but participated in local archaeological excavations as well. His pen proved incredibly prolific, and extended to the writing of works for children as well.
Salzman’s talent for prose is very much on display in his biography of Henry II. It’s a sprightly read that provides a brisk overview of his life, particularly in comparison with more modern biographers. Whereas Barber and Warren spend considerable space at the start of their books explaining the events of the Anarchy as a way of setting the stage for Henry’s succession, Salzman covers Henry’s ascent to the throne in barely a dozen pages. From there he recounts his subject’s reign in seven chapters, the majority of which are focused in his involvement in one of the many conflicts of his reign, be it with the Welsh, the French, or his own sons.
Yet the one that stands out is the one on “the struggle with Becket.” By far the largest of the chapters, it takes up a fifth of Salzman’s book, which makes the conflict between the two men seem to be the overriding concern of Henry’s reign. Here the contrast with W. L Warren’s analysis of their dispute stood out, to the point where Warren’s observation of the Henry-Becket controversy as somewhat exaggerated seemed a direct commentary on Salzman’s portrayal. What for Warren was largely a low-key conflict between the two men that only became Henry’s dominant concern shortly before Becket’s murder appears in Salzman’s telling the predominant focus of a decade of Henry’s reign. His retelling of it certainly makes for dramatic reading, even if the effect is to overstate its importance.
In this respect it encapsulates perfectly the issue I had with this book. Though Salzman is a fluid writer, his focus on the more dramatic aspects of Henry’s kingship suggests that his primary concern is entertaining rather than informing. This was only reinforced for me by the book’s final three chapters, which follow Salzman’s description of Henry’s final years and his death with description of the social, administrative, and legal aspects of his rule. Crammed as they are at the end, they feel like an afterthought positioned so as to allow disinterested readers to skip over them in favor of the more entertaining aspects of Henry’s life. While this may have been a reflection of the intended audience for this book, like the Becket chapter it leaves the reader with a distorted sense of Henry and his importance to English history.
While some may argue that this is all for the better if it raises historical knowledge, it also raises the question of whether proportion should be sacrificed in the process. Featuring Henry’s conflicts certainly makes for interesting reading, but to me it misses the point of why he is worth reading about today. And while others may disagree, it certainly seems to me that the balance of recounting the various aspects of Henry’s life is better achieved in biographies other than this one, which feels very much an outdated approach to understanding the past.
One of the things that I have come to appreciate through this project is how certain biographies can dominate the study of English monarchs. Though this is not true for all of them, for some monarchs one work ends up becoming the go-to source for students and scholars seeking to learn about the king. It’s probably more than a coincidence, too, that these books tend more often than not to be the volumes on the subject for the English Monarchs series. Whether it’s Frank Barlow’s book on Edward the Confessor or David Douglas’s on William the Conqueror, the depth of their examination and the quality of their scholarship ensured that they defined our understanding of that monarch for decades after they were first published.
Such is the case with Wilfred Lewis Warren’s biography of Henry II. Though first published a half-century ago, judging from the footnotes that I’ve seen in other places it remains the go-to source on his life and reign. And after reading it for myself it’s easy to see why it enjoys this status. It’s a formidable tome of a book, one that offers an account of Henrys life situated within the context of six decades of English history. Henry himself is virtually absent from the first chapter-and-a-half of the book, as Warren recounts the events that made it possible for Henry to become king, from William Adelin’s death on the White Ship through the key events of the Anarchy. It’s a good an overview of the events of the latter as any that I’ve read so far, and it argues effectively for the motivations and consequences of the players involved.
After situating Henry on the English throne Warren then provides a chronological survey of Henry’s first three decades as king. Not only does this offer a good synopsis of the key developments that defined much of his reign, it serves as a springboard into Warren’s analytical examination of Henry’s rule. While focused on England and its associated realms, unlike many of the other biographers of Norman and Plantagenet monarchs he incorporates coverage of Henry’s Angevin territories into his analysis. This was particularly welcome after its virtual absence from Barber’s books, as to cover a monarch’s rule over only part of his realm is to distort the understanding of the king’s concerns and how he addressed them. Warren’s more comprehensive approach also meant that he does a far better job of explaining how Henry restored stable government to England after the violence of the Anarchy, even if he credits the king more for reviving and expanding his grandfather’s innovations in government rather than devising whole new systems on his own.
But perhaps the most intriguing part of the book for me was his coverage of Henry’s quarrel with Thomas Becket. This was one of those subjects that, thanks to its cultural presence, shaped much of what I knew about Henry prior to starting this project. Yet while giving it due attention Warren makes an interesting case that its role in burdening Henry’s reign has been greatly overstated, as he notes that it was only in the final stages that it consumed Henry’s attention and led him to his fatal expression of frustration. Though Becket was well suited for the mantle of martyrdom, Warren also argues that it proved less beneficial for his cause, as Henry’s contrition plus the reluctance of other bishops to identify with Becket limited the extent of the concessions he was forced to make afterwards to restore peace between Church and crown.
This fits with his generally positive portrayal of Henry, one that ends with a tone of sorrow over his subject’s troubled relationship with his ambitious sons and their quarrels over the succession. Warren never lets his sympathy for Henry sympathy color his analysis of the king, however, as he offers acute judgments that are all the more persuasive for the clear prose in which they’re offered. The author’s gift for delivering perceptive points in a direct and coherent way helps to explain why the book has become such an influential study of the king and his era. Though its size may deter some, for those who persevere they are likely to finish it with as clear and as thorough an understanding of Henry and his reign as is possible to find between the covers of a single book. It is a hard act for the others to follow.
There’s an adage that authors of nonfiction books are ready to write their works the moment they have finished doing so. It may seem like a paradox, but it gets to a truth about such works, which is that the author never fully completes their research and thinking about the subject until they have finished the book. Yet that is the moment when the author then walks away from the subject, usually never to return excepting for the occasional review article or other short-form piece. This is the reason why I found Richard Barber’s selection as the author of the Penguin Monarchs volume on Henry II so intriguing. Given how infrequently a biographer writes two books about the same figure, I was curious to see what new insights he had gained on top of the understanding he had reached at the end of his previous biography nearly a half century before.
As I read the book, though, I was struck by how familiar it all was. Barber begins with a different approach from that of his previous biography by providing a pen portrait of Henry the man. Starting with extended quotations from Walter Map, an author and cleric who was a courtier of Henry’s, Barber provides a detailed description of the man based on contemporary sources. After so many biographies in which monarchs are described using sources written from a distance of centuries this was extraordinarily refreshing, and it gave me a real sense of what Henry was like as a person.
From there Barber launches into a summary of Henry’s life from his expedition to England in 1147 to his death. As is the case with the efficient volumes of this series, the focus is on England and Barber briskly proceeds through the key points in his life. This is where the feeling of deja vu set in, though, as he touches upon all of the same points he did in his 1964 biography, with little adjustment. The book had the exact same focus on Henry’s conflicts with Thomas Becket and his children, and the same lack of coverage of his major innovations in English government. Whereas the high drama with Becket forms the core of the book and the family squabbles round it out, the fiscal and legal reforms that were the major achievements of his reign were confined to a couple of pages at the end. While it’s an improvement upon his previous book, it is still a limited one.
This may be a reflection of Barber’s sense of his audience. In the brief guide to further reading at the end of the book, Barber classifies his previous work as a “popular biography.” In this sense his choices likely reflect what he believes most readers are looking for in a biography of Henry, which is the high drama that has made his life such a fruitful subject for novels, plays, and movies. And while those readers will finish Barber’s book well-satisfied, anyone seeking to learn about Henry’s greatest contributions to his kingdom will find thin gruel indeed.
Richard Barber is a historian with long and extensive career as an author. Originally a specialist in Arthurian legends, he published his first book on them at the tender age of twenty. This proved to be the first of several works from his pen on medieval history and literature, many of which he wrote while working at his day job in the publishing industry. After working for a couple of established presses, he branched out on his own in 1969 and started The Boydell Press, which as Boydell & Brewer is still publishing fine scholarly works on academic subjects. While Barber no longer runs the company, he is quite active in retirement as both an author and as a freelance editor.
As I noted, one of the reasons why I chose his 1964 book of Henry II for my first biography of the king was to juxtapose it with his more recent study of the king. Of course, it also meant that it served as my entry point into Henry’s life, and in this respect it proved very satisfactory. Even at a young age Barber was a lucid writer, and his book offers a good summary for the novice to Henry’s life and times. He does this by starting with a prologue that encapsulates neatly the 12th century world into which Henry was born, which Barber follows with a description of the war between Stephen and Matilda. Barber then follows this with a narrative that addresses all of the key points of Henry’s life: his accession to the throne, his campaigns abroad, and his troubles with his family and with Thomas Beckett. In these he balances well his chronological focus with contextual summaries, which give the necessary background without losing focus on his primary subject.
Given all this, it’s understandable why this book has enjoyed such a long life. Yet the strengths of this book also are its weaknesses, as Barber does not venture beyond providing a narrative of Henry’s life and times. He is good at describing what happened in his subject’s life when it happened, and he offers brief explanations of why it happened as well. But any deeper exploration of Henry’s reign, such as of his fiscal policies or his legal reforms, is absent from his coverage. Because of this, readers who rely solely upon this book for their knowledge of Henry’s reign may finish his book unaware of some of the most important reasons why it was so significant, which is a serious flaw in his book.
To be fair to Barber, nowhere does he claim that his book is the definitive work on his subject. And for readers seeking a clear and straightforward narrative of Henry’s life this book still fits the bill nicely. For those seeking a more comprehensive understanding of his reign, though, this book can only be a starting point, one for which his dated bibliography serves as an imperfect guide. Such a narrowing of its value is perhaps inevitable for any work of history, but in Barber’s case it limits any ability to recommend it as the one book to read about his subject.
Henry II is one of those monarchs for whom my introduction came through the movies. In this case it was the film version of James Goldman’s play The Lion in Winter, which had a stacked cast that included Katherine Hepburn (who won an Oscar for her portrayal of Eleanor of Aquitaine) and Anthony Hopkins and Timothy Dalton, both equally impossibly young. Yet it’s Peter O’Toole’s performance that stands out the most for me, and it’s his face that my mind conjures up whenever I think of the king.
Whether that will remain true once I’m done reading the available biographies of him remains to be seen. The selection of available lives about him is the greatest in number since that of his great-grandfather, William I, and promises to take up an equal amount of time. I’ve decided to start with Richard Barber 1964 book Henry Plantagenet: A Biography of Henry II. Though it’s not the oldest of the modern biographies, it looked especially intriguing given that Barber went on to write the volume about Henry for the Penguin Monarchs series, and I wanted to read the two of them in succession to consider how Barber’s judgments about Henry may have changed over time.
Once I complete Barber’s books, I’m going to turn to W. L. Warren’s biography of Henry for the English Monarchs series. This is one that I have seen referenced practically everywhere, which I usually take as a good measure of the book’s stature. It will be particularly interesting to see how his interpretation compares with that of Barber’s as the latter’s biographies bookend Warren’s study of the king.
After that I plan on reading Louis Francis Salzman’s biography of Henry II. As the oldest of the biographies I’ll be reading about Henry, it will be interesting to see how he interprets the monarch absent the recent scholarship and popular images that have emerged since then. I’ll follow this up with a biography by John T. Appleby, a historian who earned a reputation as a biographer of English kings. This is the first of his books that I’ve read, and it will help me determine whether I should read any more if the number of options for future ones requires me to be more selective.
Finally, I plan on concluding my examination with a pair of recent studies. Based on their titles, both appear to offer more targeted studies of Henry’s life and reign than the aforementioned works. The first of these, by John Hosler, is a study of Henry’s military career, which is a perspective that seems unusual enough to warrant assessing. If the title of the other one, by Claudia Gold, is any indication, it examines Henry’s life through a selection of key moments in it. This approach contributes to why I’m saving it for last, as if my reading of her approach is correct, I’m interested in seeing the merits it offers from the more traditional chronological method and the different insights that it yields on its subject.